Arthur Rackham

I have chosen to look at the play Ashputtel by Carol Ann Duffy (adapted form the Grimm tales). I am focusing on scene eight, the third and final feast, where Ashputtel loses her slipper.







I started my research with Rackham (1829-1939) as he did illustrations for the Grimm tales. My production designs would fall into the fantasy genre. The theme I explored was fairgrounds. The idea for the stage was for it to be bright with lots of lights, and for the back drop to be in black and white. This idea came from 'The Wizard of Oz', where the two tone
world represents normal boring everyday life and the colourful world represents something exciting.












































































Thursday, 20 January 2011

Film Noir

Originally I planned to do a film noir set, inspired by Edward Hopper. These are my notes I took from Film Noir by Alain Silver & James Ursini, Taschen, Koln. 2004.

The Noir period was from around 1941-1958. It has influenced the likes of Roman Polanski, Francis Ford Coppola and Quentin Tarantino.

The term 'noir' is french. When France was occupied by the Nazi Regime, they had no access to American movies, when they watched them again they noticed the mood and subject matter had become darker.

Many Film Noir movie makers were from Europe, like Fritz Lang and Jaques Tourner. They were inspired by German expressionism, for example The Cabinet of Dr Caligari 1919 and Metropolis 1926.

A theme in Film Noir is the haunted past of the protagonist.

Archetypes are the the truth seeker, often officer of the law, rarely a woman, seldom a private investigator, can wear any costume.

The Hunted: an outsider who cannot connect with the world, usually male.

The Femme Fatale, she is strong, trapped in a man's world, who will do what it takes.

Visual iconography: Edward Hopper, Reginald Marsh and the crime photos of Weegee. Low lighting, curtains/ Venetian blinds, low angles, urban setting like LA NYC or San Fransisco, flash backs and voice over.

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